CHANTELLE KO
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New FSR!

7/11/2017

1 Comment

 
I bought a second FSR. And it works beautifully. My plan is to have one FSR bang presets for which sound fx are being used. The other will decide between four setups for the soft pots: the two soft pots are working as a single strip, independently, reverse the scaling as a single strip, or reversed and they are independent. This will allow for more creative possibilities, for example, if the two soft pots are separated, they can control different fx. If the scaling can be reversed at will, the fx can both (for examples sake) be either wet or dry while playing in the same position, based on the setting the player chooses.  

There is no bleeding of data when they are setup like in the picture. However, I remember there is bleeding data when it came to the soft pots being side by side. The solution was to place them a petal apart and ground the petal in between. With only four analog petals, and four sensors, this may be a problem. I had left my soft pots at UBC, so I will test them out when I return tomorrow.  
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1 Comment
Caroline link
25/6/2022 06:13:33 am

Hi thanks for posting thiis

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    Welcome to the TRAVIS blog!

    ​If you would like to see a summary of my work, please click here.  

    This blog is where I post updates on TRAVIS I & II as I continue developing them.
    TRAVIS I is an augmented violin that uses two Softpot sensors on the fingerboard to control sound fx, and two FSR's to bang presets.
    ​
    My wired prototype, uses an Arduino Lilypad USB. It was made by myself, and under the supervision of Dr. Bob Pritchard. 

    The wireless version uses an Arduino MKR1000. There was a group of engineering students who collaborated with SUBCLASS. Their names are Jin Han, Esther Mutinda, Carol Fu, and Lily Shao. For their own capstone they are utilized the same MKR1000 for the RUBS (Responsive User Bodysuit).  They named their capstone, WiRED (Wireless RUBS Environment Development). I have been modifying their work for my own purposes, as well as collaborating by making pieces with RUBS. 
    Bob Pritchard continues the RUBS project with TASTE. 

    TRAVIS II is was made in collaboration with Lora Oehlberg and luthier, Aaron Pratte. 

    It has four touch sensors​ made from conductive 3D print PLA and a voltage running down the strings. It also has four round FSRs clamped to the body. 

    You can find a videos and performances here. 

    A summary of my wifi connection troubleshooting can be found here. 

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  • Home
  • Bio
  • GLOBE
    • GLOBE Videos
    • GLOBE Gallery
    • Sensational World of Sensors
    • GLOBE Blog
  • TRAVIS
    • TRAVIS Videos
    • TRAVIS Blog
  • SUBCLASS
  • Other Academia
    • Soundscapes
    • Augmented Props
    • Sofra Ensemble
    • Music Tech Works
  • Resources
  • Contact